Lukes POV Review

The front page counts its own featured scenes and arrives at none. Underneath that, the same two buttons repeat down the page — see all videos, join — a dozen times over, with nothing between them to look at. Whatever is behind the paywall, the public side is a sales frame with the contents removed.

Two things about it are more encouraging. The operator is named and put on the page as the contact: not a support desk, a person, with an address to write to. And the site links out to two independent performer databases rather than keeping its cast enclosed, which is an odd and rather sporting thing for a paysite to do — it points you at somewhere it does not control to check who is in the scenes.

The positioning is Australian point-of-view work with international guests, billed through two named processors, with a mailing list and an affiliate programme.

Nothing about the catalogue itself could be established: no scene count, no runtimes, no update rate, no price. Filed as partial on that basis.